4498 безплатни аудиофайлове за "Compositions In C Sharp Minor"

Sixth (A), in red, of a C added sixth chord. Created by Hyacinth (talk) 15:57, 4 July 2010 using Sibelius 5.

Root, in red, of a C major chord.

Fourth of a suspended fourth chord on C

Prime form of five note tone row from Igor Stravinsky's In memoriam Dylan Thomas.

Tone row with Schoenberg's initials preceded by remaining four notes.

Prime row form from Stravinsky's Requiem Canticles.

Tone row from Stockhausen's Klavierstück IX.

Tone mixtures for Group I of Studie II. First five pitches (Group I: 1). G♯=100 Hz.

Example 12 from Stockhausen's article "… wie die Zeit vergeht …", illustrating with a version of the series from Gruppen fur drei Orchester that, "if you start from the intervals of a proportion series, then with every step forward the register of each duration is also already chosen" (Stockhausen 1963b, 117). There are "a number of basic durations, indicated in metronome marks and corresponding with the pitch proportions within the series, reaching far as the octave positions (basic duration units)" (Leeuw 2005, 174), or "a duration scale which changes its 'time register' … corresponds to a twelve-tone scale that extends over more than one octave" (Misch 1998, 157–58).

Tone proportions of Studie I. I took F♮ as the starting point.

Rudiments of the 12-note series from Stockhausen's Klavierstück III (Leeuw 2005, 176–77). Created by Hyacinth (talk) 01:36, 20 October 2010 using Sibelius 5.

5-tet scale on C. Pitch bend matches intervals.

Pythagorean diatonic scale on C. + indicates the syntonic comma.

Sound file of a brief passage from Mozart's Piano Sonata in G, K. 283 Third movement, starting measure 247. .mw-parser-output .commons-creator-table{background-color:#f0f0ff;box-sizing:border-box;font-size:95%;text-align:start}.mw-parser-output .commons-creator-table>tbody>tr{vertical-align:top}.mw-parser-output .commons-creator-table>tbody>tr>th{background-color:#e0e0ee;font-weight:bold;text-align:start}@media(max-width:719px){.mw-parser-output .commons-creator-table,.mw-parser-output .commons-creator-table>tbody{display:block;width:100%}.mw-parser-output .commons-creator-table>tbody{border-right:1px solid #aaa;border-bottom:1px solid #aaa}.mw-parser-output .commons-creator-table>tbody>tr{border-top:1px solid #aaa;display:flex;flex-wrap:wrap}.mw-parser-output .commons-creator-table>tbody>tr>th{border-left:1px solid #aaa;padding:2px;flex:1 1 100%}.mw-parser-output .commons-creator-table>tbody>tr>td{border-left:1px solid #aaa;padding:2px;flex:1 1}}@media(min-width:720px){.mw-parser-output .commons-creator-table{border:1px solid #aaa;border-collapse:collapse;border-spacing:0;padding:5px}.mw-parser-output .commons-creator-table>tbody>tr>th,.mw-parser-output .commons-creator-table>tbody>tr>td{border:1px solid #aaa;padding:2px}.mw-parser-output .commons-creator-table>tbody>tr>.halfwidth{max-width:10em}.mw-parser-output .commons-creator-table>tbody>tr>.fullwidth{max-width:20em}} Wolfgang Amadeus Mozart  (1756–1791)      

Violinkonzert in D, Op. 61 — 3rd movement: Rondo, allegro. Violinkonzert in D, Op. 61 — 3. Satz: Rondo, allegro.

Dominant minor ninth chord on C: C,E,G,Bb,Db. Created by Hyacinth (talk) 23:07, 14 December 2011 (UTC) using Sibelius 5.

E natural minor scale ascending and descending.

E harmonic minor scale ascending and descending.

B natural minor scale ascending and descending.

E melodic minor scale ascending and descending.

B melodic minor scale ascending and descending.

Ausschnitte aus Schuberts Klaviersonate DV 784

B harmonic minor scale ascending and descending.

Sergei Rachmaninoff performing Waltz in E flat major, Op. 18. Composer: Chopin. Instrument: Steinway concert grand piano. Valse en mi bémol majeur, op. 18 de Chopin, interprétée sur un grand piano Steinway par Sergei Rachmaninoff en 1921.

19-tet scale on C (63.16 cent steps). MIDI pitch bend matches intervals.

7-tone equal tempered scale represented in traditional notation. + and - indicates approximate distance above and below notated pitch. Pitch bend matches intervals.

C Phrygian dominant scale. Created by Hyacinth (talk) 00:37, 5 July 2010 using Sibelius 5.

Romance, composed by Sergei Rachmaninoff in 1887. See Romance - Rachmaninoff.png.

Study in Canon for Organ (1896) by Charles Harford Lloyd, J.B. Millet Company

The fourteen-tone series on which the melody "Libra" from Karlheinz Stockhausen's Tierkreis is based. (From p. 151 of Jerome Kohl, "The Evolution of Macro- and Micro-Time Relations in Stockhausen's Recent Music", Perspectives of New Music 22, nos. 1 & 2 (Fall-Winter 1983/Spring-Summer 1984): 147–85.)

Ave Maria composed by Charles Gounod. Ave Maria was composed based off of the harmony and texture of Johann Sebastian Bach's Prelude No.1 in C Major from Well-Tempered Clavier Book I (BWV 846).

B-flat melodic minor scale ascending and descending.

B-flat harmonic minor scale ascending and descending.

Schubert Fantasia in F minor bars 98-106

C major chord repeated at fff, ff, f, mf, mp, p, pp, and ppp dynamic markings.

Dominant seventh chord on C, played on guitar in open position.

Dominant seventh chord on C, played on guitar, barre chord.

Root position triads from C major scale.

A recording of Pleasant Moments, a Ragtime Waltz recorded on Piano Roll by Scott Joplin in April 1916, and thought lost until discovered by User:PlayerRoll in 2006. It has been scanned and recorded on a Grand Piano as an MP3. The recording is public domain as it was originally made before 1923 in the USA. The MP3 was converted into OggVorbis by Major Bloodnok.

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 25 Prelude No. 13 in F-sharp major, BWV 858

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 26 Fugue No. 13 in F-sharp major, BWV 858

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 26 Fugue No. 13 in F-sharp major, BWV 858

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 25 Prelude No. 13 in F-sharp major, BWV 858

Descending enigmatic scale on C is distinguished by F♮, a lowered fourth degree.

Diatonic scale in 19-et on C. MIDI pitch bend matches intervals. Steps: 0, 3, 6, 8, 11, 14, 17, and 19. Cents: 0, 189.473684210526315789, 378.947368421052631578, 505.263157894736842105, 694.736842105263157894, 884.210526315789473684, 1073.684210526315789473, and 1200 cents. Created in Sibelius with midi pitch bend on 8 (6) different instruments.

Hungarian major scale on C

11-tet scale on C. MIDI pitch bend matches intervals.

Ascending melodic minor scale on A.

A recording of the Berceuse & Finalé from The Firebird (Stravinski, Igor) arranged by Merle Isaac, performed by the New Mexico All-State Concert Orchestra of 2015.

Symphony no. 4 in b-flat major, op. 60 - iii. allegro vivace